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Interpret as you wish, but to me it’s a mantra for taking back control of the hellish year that was 2020 by figuring out what you need in order to cut yourself free from the binds of isolation, frustration, and fear. Why I love it: The album title, Fetch the Bolt Cutters, is a fantastic metaphor that paints a vivid scene. She’s pissed off, funny and warm, or at least that’s how Apple describes the character in the indelible track “Shemeika.” There’s something about the minimalist instrumentation that feels more Fiona than anything before, letting her explosive voice scream directly into your eardrums, sending your synapses into a firing frenzy. What it sounds like: This is the rawest, most playful, and outwardly wicked of Fiona’s records (if you can believe it). Each of the songs on The Loves of Your Life transport you into a story about a different person from Leithauser’s past, but one could easily mistaken these experiences as tales from their own lives.
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Why I love it: On his second solo album, The Walkmen leader has realized full potential of his writing abilities–talks of ferries, dancing, old movie theaters, and creaking floorboards help to create a wild, enlivening, dramatic, and fun record. Lest we forget the bombastic work by his band of musical masters including Jon Batiste (Prince, Willie Nelson, Stevie Wonder) and Jonathan Gregg (pedal steel aficionado).
The skilled frontman can howl, croon, and twist his vocals like a tornado tearing through a mid-western town-but there’s still plenty of his signature falsetto to comfort the listener throughout. What it sounds like: Hamilton’s juke-joint delivery has a haunting nostalgia to it. 3) Hamilton Leithauser – The Loves of Your Life As a long-time Mystery Jets listener I can recommend their entire discography, but please start here. The Jets cover a wide-range of humanitarian-charged topics, such as the rise of alt-right politics in the UK, global racism, and ineffable benefits of having a government-funded health system when you are seriously ill. Realizing this concept as a truth enables us to better empathize with others around the world. Why I love it: A Billion Heartbeats is a helpful reminder that the issues we face as humans extend far beyond the limitations presented by our country’s borders. Inventive drumming lays the groundwork for intricate guitars and carefully placed keys to create one of the best sounding/most important records to be unleashed into the 2020 zeitgeist. What it sounds like: Blaine Harrison has an extraordinary cache of songs in the Mystery Jets back catalog but on A Billion Heartbeats, he and the Jets have perfected their powerful triad of rock/pop/prog to help escalate their socially conscious lyricism. “The question is not whether Lincoln truly meant ‘government of the people’ but what our country has, throughout its history, taken the political term ‘people’ to actually mean.” 2) Mystery Jets – A Billion Heartbeats I would have you be a conscious citizen of this terrible and beautiful world.” “I would not have you descend into your own dream. Two quotes from this book, told from the perspective of a father speaking directly to his black son, remind me of how Sault forced me to confront my own preconceived beliefs regarding racism in America. From the tribulations ( Black Is) to the triumphs ( Rise), this music drove me to search deeper to try and understand the complicated issues related to racism in America, eventually leading me to read Between the World and Me by Ta-Nehisi Coates. No music challenged me more this year with deeply moving lyrics, tense poems, and critical prose addressing the dynamics of being black in America. Why I love it: If there was an artist who captured the breadth of complexities related to racial injustice in 2020, it was Sault-at least that’s how I’ve interpreted their work coming from the perspective of an outsider, a privileged 30-something white male. This should be required listening for all Americans. Black Is and Rise are companion albums that combine to create a challenging and enlightening end-to-end experience, with a message that’s as strong as the music. The Untitled albums counterbalance conviction with celebration, encasing poignant storylines among dance floor ready jams and gospel sounds to create powerful protest anthems. What it sounds like: First on this list are two sister/brother albums from the mysterious and nearly unknown musical collective known as Sault, exploring an infusion of ’70s soul, funk, R&B, rock, neo-soul, hip-hop and Motown.
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